Informative Speech Key Club - 770 Words

Key Club General Purpose: To Inform Method of Organization: Topical Citation Format: APA Specific Purpose: At the end of my speech, my audience will now be aware as to what key club is, the benefits of it, and what the organization does. Central Idea (Thesis): Although Key Club is an international organization there are very few people who really know what it is and the difference it makes. Introduction I.I’m going to first ask the audience if they know what key club is, and if they were members themselves, and no key club does not make keys. II. I was a member of key club for two years and was my school s Vice President of key club, I have a strong passion for key club. III. Although Key Club is an international organization there are very few people who really know what it is and the difference it makes. IV. Today I m going to inform you on the history of key club, the benefits of key club, and the difference key club makes on the world. (Let s start with the history.) Body I. First, I will talk about the history of key club. A.I will mention how Key Club got started. 1. The first key club dates back to 1925 in Sacramento, California at the Sacramento High School. 2. According to the official key club website under the history and timeline tab, â€Å"Key Club was the idea of two Sacramento Kiwanis club members, Albert C. Olney and Frank C. Vincent, who also were high school administrators.† (International, 2010). B. I will talk about the Kiwanis club. 1. TheShow MoreRelated1. Why Do You Want To Be A Writing Fellow, And What Will1239 Words   |  5 Pagesorganization dedicated to mentoring middle school students with learning disabilities. Our club strives to help young students develop confidence in their academic pursuits while exploring their individual struggles. Despite the Undergraduate Writing Fellows primarily working with non LD undergrads, I know my experience with LD children has taught me how to effectively tutor students in a scholarly environment. 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Passion, inRead More Typical and Atypical Abuse Essay3633 Words   |  15 Pagesand an other body part of an other person, such as hitting or slapping. Emotional abuse consists of just the opposite: maltreatment that is directed to harming the individual psychologically, such as negative comments or put downs (National Exchange Club Foundation, 2000). Regardless of whom the abuse is directed toward or whether its physical or emotional, it all causes several types of damage. Abuse is not limited to a specific type of community or to children (NAEYC, 1997). Three million childrenRead MoreIdioms in Newspaper Style7428 Words   |  30 Pages†¦.†¦ †¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦Ã¢â‚¬ ¦13 Conclusion†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.23 Bibliography†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦25 INTRODUCTION Today the English language is widely spoken throughout the world. It is the language of 21st century the language of informative technologies, so while describing the English language; first of all it should be underlined that the English language is the mother tongue of the global media. 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Vampire Academy Chapter 4 Free Essays

FOUR WE DIDN’T HAVE THE ENTIRE commons’ attention this time, thank God, but a few passing people had stopped to stare. â€Å"What the hell do you think you’re doing?† asked Doll Girl, blue eyes wide and sparkling with fury. Up close now, I was able to get a better look at her. We will write a custom essay sample on Vampire Academy Chapter 4 or any similar topic only for you Order Now She had the same slim build as most Moroi but not the usual height, which was partly what made her look so young. The tiny purple dress she wore was gorgeous – reminding me that I was indeed dressed in thrift-shop wear – but closer inspection led me to think it was a designer knockoff. I crossed my arms across my chest. â€Å"Are you lost, little girl? The elementary school’s over on west campus.† A pink flush spread over her cheeks. â€Å"Don’t you ever touch me again. You screw with me, and I’ll screw you right back.† Oh man, what an opening that was. Only a head shake from Lissa stopped me from unleashing any number of hilarious comebacks. Instead, I opted for simple brute force, so to speak. â€Å"And if you mess with either of us again, I’ll break you in half. If you don’t believe me, go ask Dawn Yarrow about what I did to her arm in ninth grade. You were probably at nap time when it happened.† The incident with Dawn hadn’t been one of my finer moments. I honestly hadn’t expected to break any bones when I shoved her into a tree. Still, the incident had given me a dangerous reputation, in addition to my smartass one. The story had gained legendary status, and I liked to imagine that it was still being told around campfires late at night. Judging from the look on this girl’s face, it was. One of the patrolling staff members strolled by right then, casting suspicious eyes at our little meeting. Doll Girl backed off, taking Aaron’s arm. â€Å"Come on,† she said. â€Å"Hey, Aaron,† I said cheerfully, remembering he was there. â€Å"Nice to see you again.† He gave me a quick nod and an uneasy smile, just as the girl dragged him off. Same old Aaron. He might be nice and cute, but aggressive he was not. I turned to Lissa. â€Å"You okay?† She nodded. â€Å"Any idea who I just threatened to beat up?† â€Å"Not a clue.† I started to lead her toward the lunch line, but she shook her head at me. â€Å"Gotta go see the feeders.† A funny feeling settled over me. I’d gotten so used to being her primary blood source that the thought of returning to the Moroi’s normal routine seemed strange. In fact, it almost bothered me. It shouldn’t have. Daily feedings were part of a Moroi’s life, something I hadn’t been able to offer her while living on our own. It had been an inconvenient situation, one that left me weak on feeding days and her weak on the days in between. I should have been happy she would get some normality. I forced a smile. â€Å"Sure.† We walked into the feeding room, which sat adjacent to the cafeteria. It was set up with small cubicles, dividing the room’s space in an effort to offer privacy. A dark-haired Moroi woman greeted us at the entrance and glanced down at her clipboard, flipping through the pages. Finding what she needed, she made a few notes and then gestured for Lissa to follow. Me she gave a puzzled look, but she didn’t stop me from entering. She led us to one of the cubicles where a plump, middle-aged woman sat leafing through a magazine. She looked up at our approach and smiled. In her eyes, I could see the dreamy, glazed-over look most feeders had. She’d probably neared her quota for the day, judging from how high she appeared to be. Recognizing Lissa, her smile grew. â€Å"Welcome back, Princess.† The greeter left us, and Lissa sat down in the chair beside the woman. I sensed a feeling of discomfort in her, a little different from my own. This was weird for her too; it had been a long time. The feeder, however, had no such reservations. An eager look crossed her face – the look of a junkie about to get her next fix. Disgust poured into me. It was an old instinct, one that had been drilled in over the years. Feeders were essential to Moroi life. They were humans who willingly volunteered to be a regular blood source, humans from the fringes of society who gave their lives over to the secret world of the Moroi. They were well cared for and given all the comforts they could need. But at the heart of it, they were drug users, addicts to Moroi saliva and the rush it offered with each bite. The Moroi – and guardians – looked down on this dependency, even though the Moroi couldn’t have survived otherwise unless they took victims by force. Hypocrisy at its finest. The feeder tilted her head, giving Lissa full access to her neck. Her skin there was marked with scars from years of daily bites. The infrequent feedings Lissa and I had done had kept my neck clear; my bite marks never lasted more than a day or so. Lissa leaned forward, fangs biting into the feeder’s yielding flesh. The woman closed her eyes, making a soft sound of pleasure. I swallowed, watching Lissa drink. I couldn’t see any blood, but I could imagine it. A surge of emotion grew in my chest: longing. Jealousy. I averted my eyes, staring at the floor. Mentally, I scolded myself. What’s wrong with you? Why should you miss it? You only did it once every day. You aren’t addicted, not like this. And you don’t want to be. But I couldn’t help myself, couldn’t help the way I felt as I recalled the bliss and rush of a vampire’s bite. Lissa finished and we returned to the commons, moving toward the lunch line. It was short, since we only had fifteen minutes left, and I strolled up and began to load my plate with french fries and some rounded, bite-size objects that looked vaguely like chicken nuggets. Lissa only grabbed a yogurt. Moroi needed food, as dhampirs and humans did, but rarely had an appetite after drinking blood. â€Å"So how’d classes go?† I asked. She shrugged. Her face was bright with color and life now. â€Å"Okay. Lots of stares. A lot of stares. Lots of questions about where we were. Whispering.† â€Å"Same here,† I said. The attendant checked us out, and we walked toward the tables. I gave Lissa a sidelong glance. â€Å"You okay with that? They aren’t bothering you, are they?† â€Å"No – it’s fine.† The emotions coming through the bond contradicted her words. Knowing I could feel that, she tried to change the subject by handing me her class schedule. I looked it over. 1st Period Russian 2 2nd Period American Colonial Literature 3rd Period Basics of Elemental Control 4th Period Ancient Poetry -Lunch – 5th Period Animal Behavior and Physiology 6th Period Advanced Calculus 7th Period Moroi Culture 4 8th Period Slavic Art â€Å"Nerd,† I said. â€Å"If you were in Stupid Math like me, we’d have the same afternoon schedule.† I stopped walking. â€Å"Why are you in elemental basics? That’s a sophomore class.† She eyed me. â€Å"Because seniors take specialized classes.† We fell silent at that. All Moroi wielded elemental magic. It was one of the things that differentiated living vampires from Strigoi, the dead vampires. Moroi viewed magic as a gift. It was part of their souls and connected them to the world. A long time ago, they had used their magic openly – averting natural disasters and helping with things like food and water production. They didn’t need to do that as much anymore, but the magic was still in their blood. It burned in them and made them want to reach out to the earth and wield their power. Academies like this existed to help Moroi control the magic and learn how to do increasingly complex things with it. Students also had to learn the rules that surrounded magic, rules that had been in place for centuries and were strictly enforced. All Moroi had a small ability in each element. When they got to be around our age, students â€Å"specialized† when one element grew stronger than the others: earth, water, fire, or air. Not specializing was like not going through puberty. And Lissa? ­well, Lissa hadn’t specialized yet. â€Å"Is Ms. Carmack still teaching that? What she’d say?† â€Å"She says she’s not worried. She thinks it’ll come.† â€Å"Did you – did you tell her about – â€Å" Lissa shook her head. â€Å"No. Of course not.† We let the subject drop. It was one we thought about a lot but rarely spoke of. We started moving again, scanning the tables as we decided where to sit. A few pairs of eyes looked up at us with blatant curiosity. â€Å"Lissa!† came a nearby voice. Glancing over, we saw Natalie waving at us. Lissa and I exchanged looks. Natalie was sort of Lissa’s cousin in the way Victor was sort of her uncle, but we’d never hung out with her all that much. Lissa shrugged and headed in that direction. â€Å"Why not?† I followed reluctantly. Natalie was nice but also one of the most uninteresting people I knew. Most royals at the school enjoyed a kind of celebrity status, but Natalie had never fit in with that crowd. She was too plain, too uninterested in the politics of the Academy, and too clueless to really navigate them anyway. Natalie’s friends eyed us with a quiet curiosity, but she didn’t hold back. She threw her arms around us. Like Lissa, she had jade-green eyes, but her hair was jet black, like Victor’s had been before his disease grayed it. â€Å"You’re back! I knew you would be! Everyone said you were gone forever, but I never believed that. I knew you couldn’t stay away. Why’d you go? There are so many stories about why you left!† Lissa and I exchanged glances as Natalie prattled on. â€Å"Camille said one of you got pregnant and went off to have an abortion, but I knew that couldn’t be true. Someone else said you went off to hang out with Rose’s mom, but I figured Ms. Kirova and Daddy wouldn’t have been so upset if you’d turned up there. Did you know we might get to be roommates? I was talking to? ­Ã¢â‚¬  On and on she chatted, flashing her fangs as she spoke. I smiled politely, letting Lissa deal with the onslaught until Natalie asked a dangerous question. â€Å"What’d you do for blood, Lissa?† The table regarded us questioningly. Lissa froze, but I immediately jumped in, the lie coming effortlessly to my lips. â€Å"Oh, it’s easy. There are a lot of humans who want to do it.† â€Å"Really?† asked one of Natalie’s friends, wide-eyed. â€Å"Yup. You find ? ®em at parties and stuff. They’re all looking for a fix from something, and they don’t really get that a vampire’s doing it: most are already so wasted they don’t remember anyway.† My already vague details dried up, so I simply shrugged in as cool and confident a way as I could manage. It wasn’t like any of them knew any better. â€Å"Like I said, it’s easy. Almost easier than with our own feeders.† Natalie accepted this and than launched into some other topic. Lissa shot me a grateful look. Ignoring the conversation again, I took in the old faces, trying to figure out who was hanging out with whom and how power had shifted within the school. Mason, sitting with a group of novices, caught my eye, and I smiled. Near him, a group of Moroi royals sat, laughing over something. Aaron and the blond girl sat there too. â€Å"Hey, Natalie,† I said, turning around and cutting her off. She didn’t seem to notice or mind. â€Å"Who’s Aaron’s new girlfriend?† â€Å"Huh? Oh. Mia Rinaldi.† Seeing my blank look, she asked, â€Å"Don’t you remember her?† â€Å"Should I? Was she here when we left?† â€Å"She’s always been here,† said Natalie. â€Å"She’s only a year younger than us.† I shot a questioning look at Lissa, who only shrugged. â€Å"Why is she so pissed off at us?† I asked. â€Å"Neither of us know her.† â€Å"I don’t know,† answered Natalie. â€Å"Maybe she’s jealous about Aaron. She wasn’t much of anybody when you guys left. She got really popular really fast. She isn’t royal or anything, but once she started dating Aaron, she – â€Å" â€Å"Okay, thanks,† I interrupted. â€Å"It doesn’t really – â€Å" My eyes lifted up from Natalie’s face to Jesse Zeklos’s, just as he passed by our table. Ah, Jesse. I’d forgotten about him. I liked flirting with Mason and some of the other novices, but Jesse was in an entirely different category. You flirted with the other guys simply for the sake of flirting. You flirted with Jesse in the hopes of getting semi-naked with him. He was a royal Moroi, and he was so hot, he should have worn a warning: flammable sign. He met my eyes and grinned. â€Å"Hey Rose, welcome back. You still breaking hearts?† â€Å"Are you volunteering?† His grin widened. â€Å"Let’s hang out sometime and find out. If you ever get parole.† He kept walking, and I watched him admiringly. Natalie and her friends stared at me in awe. I might not be a god in the Dimitri sense, but with this group, Lissa and I were gods – or at least former gods – of another nature. â€Å"Oh my gawd,† exclaimed one girl. I didn’t remember her name. â€Å"That was Jesse.† â€Å"Yes,† I said, smiling. â€Å"It certainly was.† â€Å"I wish I looked like you,† she added with a sigh. Their eyes fell on me. Technically, I was half-Moroi, but my looks were human. I’d blended in well with humans during our time away, so much so that I’d barely thought about my appearance at all. Here, among the slim and small-chested Moroi girls, certain features – meaning my larger breasts and more defined hips – stood out. I knew I was pretty, but to Moroi boys, my body was more than just pretty: it was sexy in a risqu? ¦ way. Dhampirs were an exotic conquest, a novelty all Moroi guys wanted to â€Å"try.† It was ironic that dhampirs had such an allure here, because slender Moroi girls looked very much like the super-skinny runway models so popular in the human world. Most humans could never reach that â€Å"ideal† skinniness, just as Moroi girls could never look like me. Everyone wanted what she couldn’t have. Lissa and I got to sit together in our shared afternoon classes but didn’t do much talking. The stares she’d mentioned certainly did follow us, but I found that the more I talked to people, the more they warmed up. Slowly, gradually, they seemed to remember who we were, and the novelty – though not the intrigue – of our crazy stunt wore off. Or maybe I should say, they remembered who I was. Because I was the only one talking. Lissa stared straight ahead, listening but neither acknowledging nor participating in my attempts at conversation. I could feel anxiety and sadness pouring out of her. â€Å"All right,† I told her when classes finally ended. We stood outside the school, and I was fully aware that in doing so, I was already breaking the terms of my agreement with Kirova. â€Å"We’re not staying here,† I told her, looking around the campus uneasily. â€Å"I’m going to find a way to get us out.† â€Å"You think we could really do it a second time?† Lissa asked quietly. â€Å"Absolutely.† I spoke with certainty, again relieved she couldn’t read my feelings. Escaping the first time had been tricky enough. Doing it again would be a real bitch, not that I couldn’t still find a way. â€Å"You really would, wouldn’t you?† She smiled, more to herself than to me, like she’d thought of something funny. â€Å"Of course you would. It’s just, well? ­Ã¢â‚¬  She sighed. â€Å"I don’t know if we should go. Maybe – maybe we should stay.† I blinked in astonishment. â€Å"What?† Not one of my more eloquent answers, but the best I could manage. I’d never expected this from her. â€Å"I saw you, Rose. I saw you talking to the other novices during class, talking about practice. You miss that.† â€Å"It’s not worth it,† I argued. â€Å"Not if? ­not if you? ­Ã¢â‚¬  I couldn’t finish, but she was right. She’d read me. I had missed the other novices. Even some of the Moroi. But there was more to it than just that. The weight of my inexperience, how much I’d fallen behind, had been growing all day. â€Å"It might be better,† she countered. â€Å"I haven’t had as many? ­you know, things happening in a while. I haven’t felt like anyone was following or watching us.† I didn’t say anything to that. Before we’d left the Academy, she’d always felt like someone was following her, like she was being hunted. I’d never seen evidence to support that, but I had once heard one of our teachers go on and on about the same sort of thing. Ms. Karp. She’d been a pretty Moroi, with deep auburn air and high cheekbones. And I was pretty sure she’d been crazy. â€Å"You never know who’s watching,† she used to say, walking briskly around the classroom as she shut all the blinds. â€Å"Or who’s following you. Best to be safe. Best to always be safe.† We’d snickered amongst ourselves because that’s what students do around eccentric and paranoid teachers. The thought of Lissa acting like her bothered me. â€Å"What’s wrong?† Lissa asked, noticing that I was lost in thought. â€Å"Huh? Nothing. Just thinking.† I sighed, trying to balance my own wants with what was best for her. â€Å"Liss, we can stay, I guess? ­but there are a few conditions.† This made her laugh. â€Å"A Rose ultimatum, huh?† â€Å"I’m serious.† Words I didn’t say very much. â€Å"I want you to stay away from the royals. Not like Natalie or anything but you know, the others. The power players. Camille. Carly. That group.† Her amusement turned to astonishment. â€Å"Are you serious?† â€Å"Sure. You never liked them anyway.† â€Å"You did.† â€Å"No. Not really. I liked what they could offer. All the parties and stuff.† â€Å"And you can go without that now?† She looked skeptical. â€Å"Sure. We did in Portland.† â€Å"Yeah, but that was different.† Her eyes stared off, not really focused on any one thing. â€Å"Here? ­here I’ve got to be a part of that. I can’t avoid it.† â€Å"The hell you do. Natalie stays out of that stuff.† â€Å"Natalie isn’t going to inherit her family’s title,† she retorted. â€Å"I’ve already got it. I’ve got to be involved, start making connections. Andre – â€Å" â€Å"Liss,† I groaned. â€Å"You aren’t Andre.† I couldn’t believe she was still comparing herself to her brother. â€Å"He was always involved in all that stuff.† â€Å"Yeah, well,† I snapped back, â€Å"he’s dead now.† Her face hardened. â€Å"You know, sometimes you aren’t very nice.† â€Å"You don’t keep me around to be nice. You want nice, there are a dozen sheep in there who would rip each other’s throats to get in good with the Dragomir princess. You keep me around to tell you the truth, and here it is: Andre’s dead. You’re the heir now, and you’re going to deal with it however you can. But for now, that means staying away from the other royals. We’ll just lie low. Coast through the middle. Get involved in that stuff again, Liss, and you’ll drive yourself? ­Ã¢â‚¬  â€Å"Crazy?† she supplied when I didn’t finish. Now I looked away. â€Å"I didn’t mean? ­Ã¢â‚¬  â€Å"It’s okay.† she said, after a moment. She sighed and touched my arm. â€Å"Fine. We’ll stay and we’ll keep out of all that stuff. We’ll ? ®coast through the middle’ like you want. Hang out with Natalie, I guess.† To be perfectly honest, I didn’t want any of that. I wanted to go to all the royal parties and wild drunken festivities like we’d done before. We’d kept out of that life for years until Lissa’s parents and brother died. Andre should have been the one to inherit her family’s title, and he’d certainly acted like it. Handsome and outgoing, he’d charmed everyone he knew and had been a leader in all the royal cliques and clubs that existed on campus. After his death, Lissa had felt it was her family duty to take his place. I’d gotten to join that world with her. It was easy for me, because I didn’t really have to deal with the politics of it. I was a pretty dhampir, one who didn’t mind getting into trouble and pulling crazy stunts. I became a novelty; they liked having me around for the fun of it. Lissa had to deal with other matters. The Dragomirs were one of the twelve ruling families. She’d have a very powerful place in Moroi society, and the other young royals wanted to get in good with her. Fake friends tried to schmooze her and get her to team up against other people. The royals could bribe and backstab in the same breath – and that was just with each other. To dhampirs and non-royals, they were completely unpredictable. That cruel culture had eventually taken its toll on Lissa. She had an open, kind nature, one that I loved, and I hated to see her upset and stressed by royal games. She’d grown fragile since the accident, and all the parties in the world weren’t worth seeing her hurt. â€Å"All right then,† I said finally. â€Å"We’ll see how this goes. If anything goes wrong – anything at all – we leave. No arguments.† She nodded. â€Å"Rose?† We both looked up at Dimitri’s looming form. I hoped he hadn’t heard the part about us leaving. â€Å"You’re late for practice,† he said evenly. Seeing Lissa, he gave a polite nod. â€Å"Princess.† As he and I walked away, I worried about Lissa and wondered if staying here was the right thing to do. I felt nothing alarming through the bond, but her emotions spiked all over the place. Confusion. Nostalgia. Fear. Anticipation. Strong and powerful, they flooded into me. I felt the pull just before it happened. It was exactly like what had happened on the plane: her emotions grew so strong that they â€Å"sucked† me into her head before I could stop them. I could now see and feel what she did. She walked slowly around the commons, toward the small Russian Orthodox chapel that served most of the school’s religious needs. Lissa had always attended mass regularly. Not me. I had a standing arrangement with God: I’d agree to believe in him – barely – so long as he let me sleep in on Sundays. But as she went inside, I could feel that she wasn’t there to pray. She had another purpose, one I didn’t know about. Glancing around, she verified that neither the priest nor any worshippers were close by. The place was empty. Slipping through a doorway in the back of the chapel, she climbed a narrow set of creaky stairs up into the attic. Here it was dark and dusty. The only light came through a large stained-glass window that fractured the faint glow of sunrise into tiny, multicolored gems across the floor. I hadn’t known until that moment that this room was a regular retreat for Lissa. But now I could feel it, feel her memories of how she used to escape here to be alone and to think. The anxiety in her ebbed away ever so slightly as she took in the familiar surroundings. She climbed up into the window seat and leaned her head back against its side, momentarily entranced by the silence and the light. Moroi could stand some sunlight, unlike the Strigoi, but they had to limit their exposure. Sitting here, she could almost pretend she was in the sun, protected by the glass’s dilution of the rays. Breathe, just breathe, she told herself. It’ll be okay. Rose will take care of everything. She believed that passionately, like always, and relaxed further. Then a low voice spoke from the darkness. â€Å"You can have the Academy but not the window seat.† She sprang up, heart pounding. I shared her anxiety, and my own pulse quickened. â€Å"Who’s there?† A moment later, a shape rose from behind a stack of crates, just outside her field of vision. The figure stepped forward, and in the poor lighting, familiar features materialized. Messy black hair. Pale blue eyes. A perpetually sardonic smirk. Christian Ozera. â€Å"Don’t worry,† he said. â€Å"I won’t bite. Well, at least not in the way you’re afraid of.† He chuckled at his own joke. She didn’t find it funny. She had completely forgotten about Christian. So had I. No matter what happened in our world, a few basic truths about vampires remained the same. Moroi were alive; Strigoi were undead. Moroi were mortal; Strigoi were immortal. Moroi were born; Strigoi were made. And there were two ways to make a Strigoi. Strigoi could forcibly turn humans, dhampirs, or Moroi with a single bite. Moroi tempted by the promise of immortality could become Strigoi by choice if they purposely killed another person while feeding. Doing that was considered dark and twisted, the greatest of all sins, both against the Moroi way of life and nature itself. Moroi who chose this dark path lost their ability to connect with elemental magic and other powers of the world. That was why they could no longer go into the sun. This is what had happened to Christian’s parents. They were Strigoi. How to cite Vampire Academy Chapter 4, Essay examples

Shakespeare1 Essay Example For Students

Shakespeare1 Essay Sidorowicz-2and by agreeing or disagreeing with those opinions I will prove that he was acting in very logic way, and his decisions and actions were very deliberate. If Shakespeare had not given us the complex psychological state of Hamlet, then one could conclude that Hamlet was really insane (electric library), but Shakespeare did. He made sure that there was an explanation and, or logical reason for all his actions. Hamlet proves to be in complete control of his psyche in several parts of the play. First, the fact that Hamlet acts irrationally only in front of certain individuals shows that he is only acting. He acts insane in front of Polonius, Claudius, Gertrude and Ophelia; while remaining perfectly normal in front of Horatio, Marcellus, the players and the gravedigger. â€Å"I am but mad north-north-west: when the wind is southerly I know a hawk from a handsaw†(Guth, hamlet, p. 820, v.35-37). This is the classic example of the â€Å"wild and whirling words† (Guth, hamlet, p808, v.90) with which Hamlet hopes to persuade people to believe that he is mad. These words, however, prove that beneath his emotional disposition, caused by his father’s death and very fast remarriage of his mother, Hamlet is very sane. Our hero is saying that he knows a hunting hawk from a hunted â€Å"handsaw† or heron in other words, that, very far from being mad, he is perfectly capable of recognizing his enemies. His imagery involving points of the compass, the weather, and hunting birds, he is announcing that he is precisely and calculatedly choosing the time when to appear mad. Shakespeare’s â€Å"Hamlet† is based on the legend of fabled Danish Prince Amleth, who feigned insanity to veil a plot of revenge against his uncle for his father’s murder. Sidorowicz-3Set down by Saxo Grammaticus at the end of the twelfth century in the Historiae Danicae, the legend included two parts, however, we have no evidence that Shakespeare came into contact with either of these versions. The most direct source for his drama seems to have been another play of around 1588 know as Ur-Hamlet, which was based onBelleforests, one of these versions, but is now lost (Watts, p.2). In Saxo version of the tale, Amleth not only killed the eavesdropper (the Polonius character in Hamlet) but also cut his body into morsels, he seethed it in boiling water, and flung it through the mouth of the swine to eat (Watts, p.5). In contrast, Shakespeare’s Hamlet feels remorse after the murder of Polonius:â€Å"I do repent; but heaven hath pleasd it so, to punish me with this, and this with me, that I must be their scourge and minister.† (Guth, Hamlet, 3.4. v.175-178, p.851). Hamlet’s speech reflects the more Christian viewpoint of Shakespeare’s time, butalso tells us that he is not a coward, like some critics say. Fact that he actually kills Polonius (being sure that he is killing Claudius) proves that he does not suffer from any weakness of will or inability to act, that he has the ability to think clearly, and that he does not suffer from any mental disorder. Moreover, E. E. Stoll said: â€Å"The delay functions in Hamlet as it had from the Greeks on, as part of the epical tradition; it does not reflect upon the defects of the hero, but makes the deed momentous when it comes at the end of the play.† (Weitz, Hamlet, p.50)Hamlet has really strong character, which we can also witness in the very democratic and human way he treats Horatio and the players. His hesitation is not a result Sidorowicz-4of cowardice, but a result of evil nature of the society in which he lives. â€Å"Hamlet himself is a moral man in an immoral world, a sens itive man in a cruel society, society which accepts the concept of revenge as perfectly moral. (Aichinger, criticism, Vol. 35). This social roles tell him to take revenge, but the socially created urges to revenge, force him to do something against his real nature. Hamlet’s rejection of the moral standards of his society is crystallized by his father’s death, his loss of the election to the throne, Gertrude’s casual acceptance of her husband’s death, and her hasty marriage. These events serve to heighten his awareness of the condition of society (Aichinger, criticism, Vol. 35). One can say, that they could go their way and he his, but the problem and the tragedy is that this society and this individuals make a specific demand upon him. Hamlet thinks about rejecting these standards of his society but, on the other hand, he also thinks But this is not the only reason for which Hamlet delays in killing the king. The other reason is, that he is not sure of th e Ghost’s origins and its reality. Critic E. E. Stoll says: â€Å"The doubting of the Ghost is not moment of weakness; this is Hamlet as a typicalElizabethan, knowing that the Ghost could be the devil rather than his father’s spirit.†(Weitz, Hamlet, p. 52) â€Å"The spirit that I have seen /May be the devil† (Guth, Hamlet, p.828, v.616-618). Horatios comment that the ghost disappeared because of the rooster crowing which, in Hamlet’s times, was considered as a God’s sign, makes Hamlet wonder even more. If this is the God’s sign, and if the ghost is not evil, then why the Ghost disappeared after hearing it? Sidorowicz-5Hamlet also wants to find out whether the Ghost tale of murder is true. In order to do it, he decides that when he finds it suitable or advantageous to him, he will put on a â€Å"mask of madness so to speak† (Schucking, Hamlet, p. 67).He confides to Horatio that when he finds the occasion appropriate, he will â €Å"put an antic disposition on† (Guth, Hamlet, p. 810, 1.5.172). Mark Van Doren points out in his book â€Å"Shakespeare†, that â€Å"Hamlets antic disposition† is used â€Å"as a device for seeming mad† (162). He uses it as a tactic in order to buy time in which he can discover the truth. If the Ghost is telling the true, this strategy will give Hamlet a chance to find proof of Claudius guilt, and to First, he decides to â€Å"appear unthreatening and harmless† so that people will divulge information to him, much in the same way that an adult will talk about an important secret in the presence of a child. (Barnes ; Noble, A review of Hamlet, Vol. To convince everyone of his madness, Hamlet spends many hours walking back and forth alone in the lobby talking like a crazy man. When asked if he recognizes Polonius, Hamlet replies, â€Å"Excellent well; you are a fishmonger† (Guth, hamlet, p. 819, 2.2.175). Although the response seems crazy sin ce a fish-seller would look totally different that expensively dressed lord Polonius, â€Å"Hamlet is actually criticizing Polonius for his management of Ophelia, since fishmonger is Elizabethan slang for pimp† (Addison, Shakespearian criticism, Vol. 1). He also plays mind-games with Polonius, first agreeing that a cloud looks like a camel, then a veasel, then a whale, and Sidorowicz-6finally, he comments, in very sane way, that â€Å"They fool me to the top of my bent† (Guth, Hamlet, p. 843, 3.2.393). Although he appears to have lost touch with reality, he kips reminding us that he is not at all â€Å"far gone, far gone† (Guth, Hamlet, p. 819, 2.2.190) as Polonius claims, but, in fact, Hamlet can control himself and the situation very well. Although Hamlet manages to convince Ophelia, Rosencrantz, and Guildenstern of his insanity, other characters in the play such as Claudius, Gertrude, and even Polonius Claudius is constantly â€Å"on his guard† (Intern et), because of his guilty conscience and he therefore recognizes that Hamlet is faking. Theking is suspicious of Hamlet from very beginning. He denies Hamlet permission to return to university, so that he can keep an eye on him. When Hamlet starts acting strangely, Claudius becomes more suspicious and sends Rosencrantz and Guildenstern to spy on him. Their tasks are to discover why Hamlet is pretending to be mad: â€Å"And can you, by no drift of conference, Get from him why he puts on his confusion, Grating so harshly allhis days of quiet With turbulent and dangerous lunacy?† (Guth, Hamlet, p.829, 3.1.1-4). Claudius doesn’t believe that Ophelia’s rejection has caused Hamlets lunacy, because he does not believe in his madness at all. Even if Claudius has any doubts of Hamlets sanity, he gets rid of it in â€Å"The main action, which reaches its apogee in the play within plays.† (Schucking, hamlet, p.3) When Claudius realizes that Hamlet knows the truth a bout his father’s death, he immediately sends him away to England. The final and prevailing evidence demonstrating Claudius knowledge of Hamlets sanity is the fact that he, filling threatened by Hamlet, orders the king of England to kill him. â€Å"For like the Sidorowicz-7hectic in my blood he rages, And thou must cure me: till I know tis done, Howeer my haps, my joys were neer begun.† (Guth, Hamlet, p.857, 4.3.67-69) A lot of people and some critics state that Hamlet is insane because of the way he acts toward his mother; but those people obviously didn’t read the play carefully enough. Mi Familia Sample Essay Sidorowicz-11We have to remember that although king offers his consolation for Hamlets grief, it comes at the wrong time, from the wrong person and with wrong inflection. Even if the words were true, not the words, but sympathy is what the grieving Hamlet needs; but this Hamlet does not receive, not from the court, not from his uncle, and most important, not from his own mother. Moreover, for those people, his grief over his fathers death is alien and unwelcome. This is shown in the beginning of the play, even before Hamlet sees the ghost, where Gertrude, ask him: â€Å"Good Hamlet, cast thy knighted color off, And let thine eye look like a friend on Denmark. Do not for ever with thy vailed lids / Seek for thy noble father in the dust. Thou knowst tis commonall that lives must die, Passing through nature to eternity.† After Hamlet’s respond, †Ay, madam, it is common, if it be† she then asks: â€Å"Why seems it so particular with th ee?† After this question, Hamlet revolts: â€Å"Seems, madam! Nay, it is; I know not seems.† Throughout the play, hamlet is preoccupied with delay, and with the metaphysical Issue of the relation between thought and action, but as his own experience shows, â€Å"there is finally no action that can be commensurate with his grief, and it is Hamlets experience of grief, and his recovery from it, to which we ourselves respond most deeply.† (Downer, Hamlet is acting sometimes uncommonly during the play, but one must recognize that he is a young man who comes home from his university to find his father dead and his mother remarried to his father’s murderer. In the same time, the women he loves Sidorowicz-12rejects him, he is betrayed by his friends, and finally and most painfully, he is betrayed by his mother. In addition, the ghost of his father visits him and assures Hamlet of his love and ask for vengeance. Now, one has to answer if he or she, being in this kind of situation wouldn’t act with the presence of frailty, or grief which is so common in our life. Moreover, I think that Hamlet handles this situation way better than majority would. He not just deals with these events, but also, in the same time, thinks so clearly and makes plans, which finally helps him to discover the truth. The same way he ask himself if he should live or die, he also plans and questions the strategy of his plans: To be insane or not to be insane? If I will appear sane, I might never discover the truth. From pretending madness, I can only benefit. Then I will pretend to be sane. Can we blame Hamlet for the way he thinks? Can we blame him because he thinks?Hazlitt, William. Hamlet: in His Characters of Shakespeare’s Plays. Reprinted in Shakespearean Criticism, Vol. 1, pp.79-87. J. M. Dent sons: Ltd., 1906. Electric Library. Hamlet. http://www.the/ray.com/literature/hamlet.html. Guth, P. Hans. Discovering Literature. â€Å"Hamlet.† New Jersey: Prentice-Hall, 2000. Watts, Cedric. Twaynes New Critical Introduction to Shakespeare: â€Å"Hamlet.† Boston: C. P. Aichnger. Culture. Vol. 21, No. 2, pp.142-49. Reprinted in Shakespearean Van Doren, Mark. Shakespeare, p. 162. New York: Doubleday ; Company, 1939. Levin L. Schucking. The meaning of Hamlet. New York: Barnes; Noble Inc., 1873. Sidorowicz-13Barnes ; Nobles Books. A Review of Hamlet: â€Å"The Psychology of Role-Playing and Acting, pp. 57-102., Vol. 37. Barnes ; Noble, 1996. Addison, Joseph. Extract from Shakespeare: â€Å"The Critical Heritage 1693-1733.† Weitz, Morris. Hamlet and the Philosophy of Literary Criticism. E. E. Stoll, p.50: Toronto, Canada, The University of Toronto Press, 1964. Schucking, Levin L. The Meaning of Hamlet. New York: Barnes ; Noble Inc., 1873. Johnston, William, Preston. The Prototype of Hamlet. New York: Belford, 1890. Traversi, D. A. An Approach to Shakespeare. 3rd ed. New York: Doubleday ; Company, 1969. Epstein, Norrie. The Friendly Shakespeare. New York: Penguin Group, 1993. Internet. Lynch Multimedia: â€Å"Hamlet.† http://www.lynchmultimedia.com/hamlet_pbook2chpt2.html Kirch, Arthur. ELH, Vol. 48, No. 1, pp. 17-36. Reprinted in Shakespearean Criticism, Vol. 35. Spring,1981. Downer, Alan S. The British Drama. New York: 1950. Cliffs Notes. Hamlet. Lincoln, Nebraska: Cliffs Notes Inc., 1971. Alexander, Nigel. Poison, Play, and Duel: â€Å"A Study in Hamlet.† Lincoln, Nebrasca: Routledge and Kagan Paul Ltd., 1971. Bibliography: